Traditional DanZan Ryu
Training Structure
Shoden, Chuden, Okuden, and Kuden
SHO DEN
(Beginning level)
YAWARA
NAGE
JOKYU YAWARA
SHIME
YAWARA TE
Yawara can be translated many different ways, but its primary translation is "soft." Yawara was also an older name for Jujitsu.
Our Yawara list consists of twenty techniques using principles of pry, leverage, fulcrum; and more esoteric applications such as circular motion, blending into aggression, etc.
This list has its roots in a style of Aikijitsu known as Daito Ryu Aikijitsu. Today it stands alone as a list because Okazaki took these original types of techniques and organized then into his own particular progression and corresponding meaning.
It is said that Jujitsu begins and ends with Yawara. Well, this is very true, and for a lot of reasons. One of the more obvious is that it teaches you anatomical knowledge which is an absolute must in Jujitsu. Yawara also proves that knowledge or technique will win out against strength. Knowing how to apply a lock and also to release that hold again is an absolute must
in Jujitsu.Yawara, as it is given to you, is just a fundamental list. The variations thereof are somewhere in the thousands. Aikido is also a system of completely composed of Yawara.
If you can master the list of Yawara, you've mastered half of DanZan Ryu Jujitsu. The other half consists of Nage No Kata; and in combining the two lists, you actually have a complete system of Jujitsu.
As for "Ki", this list bears out the theory that internal strength is superior and that proper application of natural motion will release the energy that exists inside of you. Therefore, we can say that Yawara develops Ki.
YAWARA TE
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1. KATATE HAZUSHI ICHI |
Single Hand Escape |
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2. KATATE HAZUSHI NI |
Single Hand Escape |
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3. RYOTE HAZUSHI |
Two Hand Escape |
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4. MOROTE HAZUSHI |
Multiple Hand Escape |
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5. MOMIJI HAZUSHI |
Red Maple Leaf |
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6. RYOERI HAZUSHI |
Two Lapel Escape |
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7. YUBI TORI HAZUSHI |
Finger Lock Escape |
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8. YUBI TORI |
Finger Lock |
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9. MORO YUBI TORI |
Multiple Finger Lock |
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10. KATATE TORI |
Single Hand Lock |
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11. RYOTE TORI |
Two Hand Lock |
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12. AKUSHU KOTE TORI |
Handshake Bent Wrist |
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13. AKUSHU UDE TORI |
Handshake Arm Lock |
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14. AKUSHU KOTEMAKI TORI |
Handshake Bent Wrist Winding Lock |
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15. TEKUBI TORI ICHI |
Wrist Lock |
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16. TEKUBI TORI NI |
Wrist Lock |
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17. RYOERI TORI |
Two Lapel Lock |
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18. IMON TORI |
Chest Lock |
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19. KUBI NUKI SHIME |
Neck constriction Submission |
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20. HAGAI SHIME |
Wing Submission |
NAGE NO KATA
THROW-WITH-FORM or Throwing Forms--meaning forms of doing throws in their
proper sequence and effect.
This is the way Master Okazaki introduced and taught basic throwing techniques. It is important to remember Kata is the formal way to announce this list. You may call the arts wazas or techniques.
Okazaki taught them in a formal manner to orient you properly. As you gain control, you begin to understand the principles and actions behind these arts.
Also, Okazaki's system is an internal system in that he wished you to investigate your mind, feelings, and intent as you do these arts. In this way we discipline our body and mind. Therefore, we can say this list introduces the important concepts of self-control. Study these thoughts and feelings each and every time you do Jujitsu wazas.
NAGE NO KATA
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1. DEASHI HARAI |
Advanced Foot Sweep |
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2. SASAE ASHI |
Propped Foot |
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3. OKURI HARAI |
Sending Sweep |
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4. SOTO GAMA |
Outside Sickle |
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5. UCHI GAMA |
Inside Sickle |
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6. SOTO MOMO HARAI |
Outside Thigh Sweep |
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7. UCHI MOMO HARAI |
Inside Thigh Sweep |
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8. O'GOSHI |
Major Hip |
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9. UTSURI GOSHI |
Changing Hip |
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10. SEOI NAGE |
Shoulder Throw |
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11. USHIRO GOSHI |
Rear Hip |
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12. SEOI GOSHI |
Shoulder Hip |
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13. TSURIKOMI GOSHI |
Lifting-Pulling Hip |
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14. HARAI GOSHI |
Sweeping Hip |
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15. HANE GOSHI |
Springing Hip |
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16. UKI OTOSHI |
Floating Drop |
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17. MAKIKOMI |
Winding Cloth (Pulling) |
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18. KANE SUTE |
Crab Drop |
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19. TOMOE NAGE |
Circle Throw |
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20. YAMA ARASHI |
Mountain Storm |
SHIME NO KATA
Okazaki designed the boards so you went from pins to chokes to arm bars (Oku).
In these arts you must learn to use your whole body. Your legs and arms, hips back, even toes must be used cohesively.
You must apply your strength in the form of relaxation which means you must not concentrate it. Rather you must distribute it according to the action taken against you, or the attack you're mounting.
Apply your strength "rhythmically." This is the attitude learned in this board. This means being able to move continuously to prevent the opponent from getting loose. You must move freely so you will be able to use your motion, balance, leverage to your greatest advantage.
Some pins require tensing. You must tense in your lower abdomen for power.
If you feel you are not in a strong position in your attempt for a hold or when in one, remain steadfast and calm as a new opening will show.
If your opponent had you in a pin, attack his weak points and use ALL parts of your body: elbows, hips, toes, fingers, etc.
Conserve energy! Don't be wasteful in your movements. Be patient and trust your technical knowledge.
Don't force openings. This is contrary to the principle of "ju." But also know when to strike!
Again, it is most important to be able to shift from technique to technique. Only when you can do this will you be able to understand Shime and some of the subtler moves of Jujitsu.
GOSHIN JITSU
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1. KATAERI HAZUSHI Single Lapel Escape |
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2. KATATE TORI NI Second Single Hand Hold |
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3. KATATE TORI SAN Third Single Hand Hold |
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4. EMON TORI NI Second Chest Hold |
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5. KATA MUNE TORI Single Chest Hold |
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6. UDE TORI Arm Hold |
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7. GENKOTSU UDE TORI First Arm Hold |
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8. UDE GYAKU Arm Reverse |
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9. NININ KOTE GARAMI Two Man Wrist Entanglement |
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10. KATERI TORI Single Lapel Hold |
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11. KOTEMAKI TORI Wrist Wind Hold |
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12. USHIRO GYAKU Rear Reverse |
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13. KOTE SHIGRAMI Wrist Fist Entanglement |
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14. KATA HAGI Single Lapel Hold |
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15. TEKUBI SHIGRAMI Hand Neck Fist Entanglement |
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16. GENKOTSU OTOSHI Fist Drop |
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17. HON GYAKU Basic Reverse |
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18. USHIRO DAKI NAGE Rear Embracing Throw |
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19. MAE DAKI NAGE Front Embracing Throw |
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20. KATA GRUMA Shoulder Wheel |
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21. HIKI OTOSHI ICHI First Pulling Drop |
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22. OSAEGAMI NAGE ICHI First Hair Pulling Throw |
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23. OSAEGAMI NAGE NI Second Hair Pilling Throw |
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24. KESA NAGE Scarf Throw |
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25. ASHI SHIGARMI Foot Entanglement |
(Middle level)
OKU NO KATA
KIAI NO MAKI
(These arts are not in this reference,
and are given to the student at
sensei's discretion)
(Deeper Level)
SHININ NO MAKI
SHINYO NO MAKI
(Shinin is a list of arts given in preparation
for Shodan. Shinyo is a list of Instructor's
arts; these are never shown to
the general public.)
(Mouth to Ear Level)
SHINGEN NO MAKI
(Shingen is a list of secret arts
taught only by the Senior Professor of
Kodenkan Jujitsu- AJJF to those
deemed worthy.)